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- pick-up after order possible
You’re filming in the city at night, and everything has this tinge: The sky isn’t black, but a dirty brown-orange; building facades turn yellow-green; and the stars disappear into the haze. This isn’t a setting you’ve got wrong—it’s the light from the streetlamps shining up into the sky from below. This filter blocks precisely these wavelengths before they hit the sensor.
- Filters out the wavelengths of artificial lighting
- Brings the night sky back to dark instead of brown
- Magnetically attached, mounted in seconds
- One filter covers both lenses at the same time
- Black aluminum frame, matching the black model
- NanoPro-coated optical glass, protective case included
Counteracts the city’s color cast
What the filter blocks out
Streetlights emit light at specific, narrowly defined wavelengths. This glass blocks precisely those wavelengths while allowing the rest of the light to pass through. The result is a night sky that appears dark again, and colors that no longer shift toward yellow-green.
Magnetically attached
You hold the camera in one hand and attach the filter with the other. No threads, no fumbling in the dark. For nighttime shots, where you can’t see what you’re doing anyway, this is even more valuable than during the day.
Covers both lenses
The Luna Ultra features a wide-angle and a telephoto lens side by side. The filter covers both, so you can zoom in closer in your shot without having to switch lenses.
Here’s what it looks like in everyday use
Night shot on the outskirts of town
The difference is most noticeable where the city lights end and the countryside begins. Without the filter, the city’s light dome casts an orange glow over the horizon; with the filter, the sky above remains dark.
Starry sky
Using a tripod and a longer exposure, you can reveal stars in a sky that was previously covered in gray. The contrast between the stars and the background is exactly what city lights would otherwise wash out.
Time-lapse at night
Throughout an entire sequence, the color cast remains constant if you don’t filter it out, and it’s difficult to correct evenly later on. It’s cheaper to correct it at the front of the lens than at the back on the computer.
What You Should Know Before You Order
It’s Less Effective Against LED Streetlights
The filter is designed for the narrow wavelengths of older sodium vapor and mercury vapor lamps. Modern LED lighting emits light across the entire spectrum, and broad-spectrum light cannot be selectively filtered out without also altering the image. In areas where a municipality has already switched to LED lighting, the benefit is significantly smaller. This isn’t a weakness of this particular filter; it applies to all filters of this type.
A filter for night, not for day
During the day, it has no place on the lens—it shifts the colors. Remove it when it gets light out. For exposure control in sunlight, you’ll need an ND filter; that’s a different task.
Fits only the Luna Ultra
The mount is designed specifically for this camera. The frame is black, matching the black model. Technically, the color doesn’t matter, but visually, it stands out on a light-colored body. If you have the silver Luna Ultra and want a filter that matches in color, please contact us.
Technical Details at a Glance
- Type: Clear-Night, filter against light pollution
- Effect: blocks wavelengths of artificial lighting
- Mounting: magnetic
- Frame: aluminum, black
- Glass: optical glass with NanoPro coating
- Coverage: both lenses with one filter
- Compatible with: Insta360 Luna Ultra
Package Contents
- 1 x Clear-Night filter
- 1 x protective case
| Colour: | Black |
|---|
The manufacturer Haida specializes in the production of high quality filters for various uses in photography. Haida filters are all made of optical glass. Haida produces filter holders as well as screw filters. The filter holders for plug-in filters are available in the width of 100 mm and 150 mm in our assortment. There are also matching Haida adapter rings in different sizes. Of course, Haid also manufactures ND and GND filters in various dimensions. The Haida ND filters are mainly used in landscape photography. When it comes to coating, the Haida company uses the NanoPro MC designation for multi-coated surfaces, with the NanoPro series being the most current version. Haida systems are available for all sizes of lenses from different manufacturers. The kit Haida M10 II system for 100 mm should not be missing on any photographer's wish list. Haida filters can be used especially well for shooting with water. Haida products do not need to be afraid of comparison with other products such as those from Lee. The ND or gray filters are available in different strengths. So that not too much time is lost in post-processing, the filters from Haid are color-neutral. With the Haida M10 series, you can make perfect long exposures. The corresponding 100 mm graduated filters can be mounted high or low in the filter holder. For ultra-wide angles, Haida also has a corresponding solution in its range, namely the M15 system. With a width of 150 mm, these filters cover a wider angle of view compared to the 100 mm. If such an ultra-wide angle is on your wish list, please be sure to note the Haida M15, there are various adapters for the most diverse combinations. Haida also has rear lens filters, these mount in the lens bayonet and are available in various strengths. Simply put, you can find the right filter for every application in Haida's range. Whether these are then used in the city or in the countryside, it does not matter. The products are also accompanied by brochures or manuals in English that give an overview of the entire range.






