Neutral Density (ND) Filters for Clip-On Filter Systems

Sometimes even ten stops are not enough: the Haida One Million X is an extreme ND filter that swallows almost all of the visible light, making multi-minute exposures possible – in the middle of a bright day. Where other ND filters stop, this one begins: water turns mirror-smooth, drifting clouds blur into soft bands and anything that moves dissolves into calm, almost painterly surfaces. As a large 150 × 150 mm rectangular filter for the M15 system it covers demanding ultra-wide lenses without shading the edges of the frame. Extreme light reduction (One Million X) 150 × 150 mm format for the Haida M15 system Neutral glass – choose the series as a property For ultra-wides without vignetting Smooth motion – on wide lenses Large format, extreme wide-angles The 150 mm format covers demanding ultra-wides without shading. Series as needed Available depending on glass series (Red-Diamond, NanoPro MC or Optical Glass) – pick the quality that suits you. How it works in the field Real-world scenario In the M15 holder on a wide lens you slide the ND in and expose – the edges stay free of shading. What to know before you order M15 holder and adapter ring required Rectangular filters need the Haida M15 holder and adapter ring – separate. Focus first, then insert The viewfinder goes very dark; set framing and focus before inserting. A tripod is essential At high density exposures get long – plan a tripod and remote release. Technical details at a glance Type: rectangular ND One Million X (extreme) Format: 150 × 150 mm Glass series: Red-Diamond / NanoPro MC / Optical Glass (property) System: Haida M15 (holder and adapter ring separate) In the box 1 x Haida rectangular ND One Million X 150 × 150 mm 

The same lightweight matte box as the HD4930 – but with a cinematic look included: the Haida HD4932 comes with a V-PRO Mist Black 1/8 filter in the 4x5.65 format. The mist filter takes the edge off harsh highlights, gently softens contrast and gives your image a soft, cinematic character. Lightweight mini matte box in aluminium and ABS, incl. V-PRO Mist Black 1/8 (4x5.65) For many mirrorless cameras and select DSLR models Adjustable carbon top flag for effective light blocking Four adapter rings in the set: 67, 72, 77 and 82 mm Matte box and mist filter in one kit A cinematic look out of the box The included V-PRO Mist Black 1/8 tames harsh highlights, lets them bloom gently and takes the hardness off skin and contrast – a subtle, filmic effect instead of clinically sharp digital rendering. The 4x5.65 format is standard for cine rigs. Adjustable carbon top flag The carbon top flag blocks side stray light and adds barely any weight to the rig. Your shots stay controlled without weighing the camera down. How this works in practice Wide angle and quick filter swaps The box is wide-angle compatible with very low vignetting, and the design allows quick filter installation. Via the four adapter rings (67/72/77/82 mm) it fits a wide range of lenses. What you should know before you order A mist filter, not an ND The kit includes a V-PRO Mist Black 1/8 (a diffusion/look filter), not an ND filter for cutting light. If you want an ND instead, the HD4931 variant (with a 3-stop ND) is the right choice. Check compatibility Designed for many mirrorless and select DSLR models. Before buying, check that your lens diameter is covered by one of the four rings (67/72/77/82 mm). Technical details at a glance Type: lightweight mini matte box as a kit with mist filter Material: aluminium and ABS Filter included: 1x V-PRO Series Mist Black 1/8, 4x5.65 Filter format: compatible with 4x5.65 filters Top flag: adjustable, carbon fibre Adapter rings: 67, 72, 77 and 82 mm For mirrorless cameras and select DSLR Wide-angle compatible, low vignetting, quick filter installation Model: HD4932 Scope of delivery 1 x Haida HD4932 matte box 1 x V-PRO Series Mist Black 1/8 filter, 4x5.65 1 x 67 mm adapter ring 1 x 72 mm adapter ring 1 x 77 mm adapter ring 1 x 82 mm adapter ring

The same lightweight matte box as the HD4930 – but ready to shoot with a filter: the Haida HD4931 comes with a 3-stop ND (ND0.9) in the 4x5.65 format. So you shade stray light and keep your shutter speed under control for cinematic motion blur at the same time. Lightweight mini matte box in aluminium and ABS, incl. 3-stop ND (4x5.65) For many mirrorless cameras and select DSLR models Adjustable carbon top flag for effective light blocking Four adapter rings in the set: 67, 72, 77 and 82 mm Matte box and ND filter in one kit 3-stop ND included The included ND0.9 filter (3 stops) cuts the light so you can film in sun with an open aperture or the right shutter speed. The 4x5.65 format is standard for cine rigs. Adjustable carbon top flag The carbon top flag blocks side stray light and adds barely any weight to the rig. Your shots stay high in contrast without weighing the camera down. How this works in practice Wide angle and quick filter swaps The box is wide-angle compatible with very low vignetting, and the design allows quick filter installation. Via the four adapter rings (67/72/77/82 mm) it fits a wide range of lenses. What you should know before you order One ND filter, not a set The kit includes one 3-stop ND (ND0.9). For stronger darkening or variable effects you'll need additional 4x5.65 filters separately. Check compatibility Designed for many mirrorless and select DSLR models. Before buying, check that your lens diameter is covered by one of the four rings (67/72/77/82 mm). Technical details at a glance Type: lightweight mini matte box as a kit with ND filter Material: aluminium and ABS Filter included: 1x 3-stop ND (ND0.9), 4x5.65 Filter format: compatible with 4x5.65 filters Top flag: adjustable, carbon fibre Adapter rings: 67, 72, 77 and 82 mm For mirrorless cameras and select DSLR Wide-angle compatible, low vignetting, quick filter installation Model: HD4931 Scope of delivery 1 x Haida HD4931 matte box 1 x 3-stop ND filter (ND0.9), 4x5.65 1 x 67 mm adapter ring 1 x 72 mm adapter ring 1 x 77 mm adapter ring 1 x 82 mm adapter ring

Stray light costs contrast, and if you work with 4x5.65 filters you want them in front of the lens quickly and securely. The Haida HD4930 matte box delivers both: effective shading via an adjustable carbon top flag and room for 4x5.65 filters – light enough that your rig barely gains any weight. Lightweight mini matte box in aluminium and ABS For many mirrorless cameras and select DSLR models Adjustable carbon top flag for effective light blocking Four adapter rings in the set: 67, 72, 77 and 82 mm Lightweight shading for your setup Adjustable carbon top flag The adjustable carbon top flag effectively blocks side light and adds barely any weight to the rig. Your shots stay high in contrast without weighing the camera down. 4x5.65 filters and flexible mounting The matte box takes common 4x5.65 filters. Via the four included adapter rings (67/72/77/82 mm) you mount it on a wide range of lenses. How this works in practice Wide angle without intruding edges The box is designed for wide-angle lenses and shows only very low vignetting. Ideal for video rigs where clean image edges and low weight matter. What you should know before you order Supplied without a filter The HD4930 includes the matte box and four adapter rings, but no filter. If you want an ND filter included, the HD4931 variant (with a 3-stop ND) is the right choice. Check compatibility Designed for many mirrorless and select DSLR models. Before buying, check that your lens diameter is covered by one of the four rings (67/72/77/82 mm). Technical details at a glance Type: lightweight mini matte box Material: aluminium and ABS Filters: compatible with 4x5.65 filters Top flag: adjustable, carbon fibre Adapter rings: 67, 72, 77 and 82 mm For mirrorless cameras and select DSLR Wide-angle compatible, very low vignetting Model: HD4930 Scope of delivery 1 x Haida HD4930 matte box 1 x 67 mm adapter ring 1 x 72 mm adapter ring 1 x 77 mm adapter ring 1 x 82 mm adapter ring

Ultra-wide lenses with a bulbous front element can't take front filters – daytime long exposures seem out of reach. The Haida HD4834 solves this elegantly: the ND filters sit at the rear (mount end) of your lens. Three strengths (9, 12 and 15 stops) carry you from moving clouds to an empty square in bright daylight. Rear ND filter kit for select Sigma and Leica ultra-wide lenses Three filters: ND512 (9 stops), ND4096 (12 stops), ND32768 (15 stops) Tempered optical glass with multi-layer nano coating, water- and oil-resistant Reduces light without a colour cast, no vignetting Long exposures with ultra-wide lenses Filters at the rear instead of the front Because the bulbous front element won't take screw-in filters, the Haida filters mount at the rear of the lens. So even with a 14 mm you get ND effects usually reserved for lenses with a filter thread. Three strengths for any light ND512 (9 stops) for moving clouds, ND4096 (12 stops) for silky water and ND32768 (15 stops) for extreme long exposures in full sunlight – colour-neutral and without edge shading. How this works in practice Architecture, coast, day-for-night skies People disappear from busy squares, water turns glassy, clouds streak across the frame – all with the wide field of view of your Sigma or Leica. The included exposure value card helps you quickly work out the shutter speed. What you should know before you order Check lens compatibility carefully The filters are cut precisely for specific lenses and their mount (see the list below). Check the lens, version and mount (Sony E or Leica L) before buying. Rear filters, different handling Rear filters mount at the back of the lens; swapping is not as quick as a front filter. Keep things clean when changing so no dust reaches the sensor. Technical details at a glance Type: rear lens ND filter kit for ultra-wide lenses Filters: ND512 (9 stops), ND4096 (12 stops), ND32768 (15 stops) Material: tempered optical glass, multi-layer nano coating Properties: water- and oil-resistant, colour-neutral, no vignetting Model: HD4834 Compatibility Sigma 14-24mm f/2.8 DG DN Art (Sony E-mount or Leica L-mount) Sigma 14mm f/1.4 DG DN Art (Leica L-mount) Sigma 14mm f/1.4 DG DN Art (Sony E-mount) Leica Super-Vario-Elmarit-SL 14-24mm f/2.8 ASPH Scope of delivery 1 x Haida rear lens ND filter holder/kit for Sigma and Leica 1 x ND512 filter (9 stops) 1 x ND4096 filter (12 stops) 1 x ND32768 filter (15 stops) 1 x exposure value card 1 x storage case

Many Canon camera bags contain an ultra-wide-angle lens that has been performing reliably for years: a 16-35, an 11-24, or a fisheye. What these lenses lack is a filter thread, because the front element is curved. As a result, when shooting against a bright sky over a dark foreground, you’re left with a choice between an overexposed sky and an underexposed foreground. This graduated filter attaches to the back of the lens and solves the problem right where there’s space. Soft gray gradient with 3 f-stops, density 0.9 Sits behind the lens; no holder in front of the front element No vignetting, unlike that caused by front-mounted filters The gradient sits securely; you can compose your shot around it For Canon EF and RF, also compatible with EF lenses on RF bodies Requires a compatible adapter; not included The filter is mounted at the rear, not the front For lenses without a filter thread An 11-24mm or a fisheye lens cannot accept a screw-on filter at the front because the front element protrudes too far. Attachment systems are available, but they are large, expensive, and require their own space in your bag. Here, the filter is positioned at the rear of the lens and doesn’t add any bulk on the outside. No vignetting Filters mounted in front of the lens quickly intrude into the image at extreme focal lengths and darken the corners. Because the filter is positioned behind the lens elements, this doesn’t happen at all—not even at 11 or 14 millimeters. Three f-stops of soft gradation Density 0.9 corresponds to three f-stops. “Soft” means that the transition from dark to clear is gradual rather than occurring along a sharp edge. For landscapes with trees, mountains, or buildings on the horizon, this is the option that doesn’t give itself away as a line in the image. Here’s what it looks like in everyday use Sunset over a dark landscape The sky is blown out, the foreground is underexposed, and you can’t capture both in a single shot. With a three-stop gradient, you can bring the sky back without sacrificing the ground. Fisheye with sky in the frame With an 8–15mm or a 15mm fisheye lens, you almost always have a lot of sky in the frame, and it’s almost always too bright. You can’t add anything in the foreground, but you can in the background. Architecture from below When you shoot upward with a wide-angle lens, you’ll have a bright sky above a dark facade. The same gradient brings both areas within a range that the sensor can capture. What you should know before ordering The gradient cannot be moved Unlike with a front-mounted filter, the transition is fixed in one place. You can’t move it to the horizon; instead, you have to position the horizon where the gradient is. This helps determine your composition. If you want to set the dividing line freely—for example, for a very low or very high horizon—you’ll need an attachment system. For the same reason, changing it isn’t something you can do in a snap: you’ll need to remove the lens to do so. The adapter is not included The filter alone isn’t enough; you’ll also need the right adapter for your lens. You can find it right here with the product—order it at the same time. If you’re unsure which one is compatible with your lens, give us a call before you order. It’s only compatible with certain lenses The filter is designed for ultra-wide-angle and fisheye lenses with a Canon EF or RF mount that have a rear filter mount provided by the manufacturer. These include, among others, the Canon EF 11-24mm f/4L, 16-35mm f/2.8L, 17-35mm f/2.8L, 17-40mm f/4L, 14mm f/2.8L, 15mm f/2.8 Fisheye, and 8-15mm f/4L Fisheye, as well as the Tamron SP 15-30mm f/2.8 (both generations), Sigma 14-24mm f/2.8 Art, 12-24mm f/4 Art, and 14mm f/1.8 Art, and the Samyang AF 14mm f/2.8 RF. This list is not exhaustive. Ask us if your lens isn’t listed. If your EF lens is mounted on a Canon mirrorless body via an adapter, the filter will also work. It sits inside the mount, with the adapter mounted behind it. Technical Details at a Glance Type: Soft GND, soft gray gradient filter Density: 0.9 Effect: 3 f-stops Gradient: soft, fixed position Position: behind the lens Mount: Canon EF and RF, also compatible with mirrorless bodies via adapter Adapter: required, not included Package Contents 1 x Soft GND 0.9 filter 1 x protective and carrying case

You’re photographing a landscape with a fast ultra-wide-angle lens, and the sky is three f-stops brighter than the foreground. A graduated filter solves this problem, but these particular lenses have a domed front element without a thread. That leaves you with large filter holder systems that barely fit in your bag. This filter takes a different approach and attaches to the back of the lens. Soft gray gradient with 3 f-stops, density 0.9 Mounts behind the lens; no holder in front of the front element No vignetting, unlike that caused by front-mounted filters The gradient sits securely; you can compose your shot around it For ultra-wide-angle lenses with Nikon Z or Leica L mount Requires a compatible adapter, not included The filter sits at the rear, not the front No holder in front of the front element Ultra-wide-angle lenses with a curved front element do not accept screw-in filters. The alternative is a filter holder system that attaches to the front and is correspondingly large. Here, the filter sits at the rear of the lens, leaving the bayonet mount free on the outside, and you don’t need any extra space in your bag. No vignetting Filters mounted in front of the lens quickly intrude into the image at extreme focal lengths and darken the corners. Because the filter is positioned behind the optics here, this problem doesn’t arise at all—not even at 14 millimeters. Three f-stops of smooth transition Density 0.9 corresponds to three f-stops. “Soft” means that the transition from dark to clear is gradual rather than occurring along a sharp edge. For landscapes with trees, mountains, or buildings on the horizon, this is the option that won’t show up as a line in the image. Here’s what it looks like in everyday use Sunset over a dark landscape The sky is blown out, the foreground is underexposed, and you can’t capture both in a single shot. With a three-stop gradient, you can bring the sky back without sacrificing the ground. Mountains against a bright sky The soft transition blends over an irregular mountain ridge without revealing where it begins. A hard gradient would create a visible edge cutting across the peaks here. Architecture from below When you shoot upward with a wide-angle lens, you almost always end up with a bright sky above a dark facade. The same gradient brings both areas into a range that the sensor can capture. What You Should Know Before You Order The gradient cannot be moved Unlike with a front-mounted filter, the transition here is fixed in one place. You can’t move it to the horizon; instead, you position the horizon where the gradient is. This helps determine your composition. If you want to set the dividing line freely—for example, for a very low or very high horizon—you’ll need an attachment system. For the same reason, changing the filter isn’t a quick, casual task: you’ll need to remove the lens to do so. The adapter is not included The filter alone isn’t enough; you’ll also need the right adapter for your lens. You’ll find it right here with the product—order it at the same time. If you’re unsure which one fits your lens, give us a call before you order. It only fits certain lenses The filter is designed for fast ultra-wide-angle lenses with Nikon Z or Leica L mounts that feature a rear filter mount provided by the manufacturer. These include, among others, the Nikon Z 14-24mm f/2.8 S, the Sigma 14-24mm f/2.8 DG DN Art, the Leica Super-Vario-Elmarit-SL 14-24 f/2.8, the Sigma 14mm f/1.4 DG DN Art, and the Sigma 15mm f/1.4 DG DN Fisheye. This list is not exhaustive. Ask us if your lens isn’t listed here. Technical Details at a Glance Type: Soft GND, soft gray gradient filter Density: 0.9 Effect: 3 f-stops Gradient: soft, fixed position Position: behind the lens Mount: Nikon Z and Leica L Adapter: required, not included Package Contents 1 x Soft GND 0.9 filter 1 x Protective and carrying case

Haida Rear Lens Mist Black 1/4 Filter Type 1 The Haida Rear Lens Mist Black 1/4 Filter Type 1 is a professional diffusion filter that is mounted directly on the lens mount—i.e., on the rear. It creates a soft, cinematic look, reduces contrast in highlights, and gives portraits and video recordings a natural, soft glow. Ideal for cinematographers and photographers who want to give their images a high-quality, cinematic touch. The Haida Rear Lens Mist Black 1/4 Filter Type 1 is specially designed for lenses with a rear filter slot. Unlike classic screw-in filters, this filter is mounted directly on the bayonet mount, leaving the front of the lens free and making it compact to handle. The filter reduces harsh light reflections, creates smooth transitions in the highlights, and ensures even light distribution. At the same time, details and color reproduction remain natural. The result is a harmonious, cinematic image with controlled softness – perfect for video and portrait photography. Thanks to its high-quality optical glass coating, the filter is resistant to scratches, moisture, and dust. The nano multi-coating prevents color casts and guarantees neutral color characteristics. Special features and advantages Rear lens mount: Attached directly to the lens bayonet – ideal for lenses with integrated filter slots. Soft, cinematic look: Softens highlights without blurring the image. More natural skin tones: Perfect for portrait and beauty shots. No color cast: Color neutral thanks to high-quality multi-coating. Compact solution: No vignetting, no additional weight on the front of the lens. Robust construction: Scratch-resistant, water-repellent nano-coating. Compatibility The Haida Rear Lens Mist Black 1/4 Filter Type 1 is compatible with lenses that have a rear filter slot and support the Haida Type 1 Standard. Typically, this includes selected Sony, Canon, Nikon, and Sigma lenses with bayonet mount systems. These are the following lenses: Sigma 14-24mm F/2.8 DG DN Art lens for Sony E and Leica L                     Sony  FE 12-24mm F4 G Lens                                                                                  Sony  FE 12-24mm F2.8 GM lensNikon Z 14-24mm F2.8 S lens  Sony 14mm f/1.8 GM lens Sigma 14mm f/1.4 DG DN Art lens Leica L Sigma 14mm f/1.4 DG DN Art lens Sony E Leica Super-Vario-Elmarit-SL 14-24 f/2.8 ASPH   Technical details Filter type: Rear lens diffusion filter (Mist Black 1/4) Density: 1/4 stop – medium diffusion for a soft look Material: Optical glass with nano multi-coating Mount: Bayonet (Type 1) Dimensions: Specific to Haida Type 1 reverse lens system Color neutrality: No visible color cast Coating: Scratch-resistant, water- and oil-repellent Scope of delivery 1 × Haida rear lens Mist Black 1/4 filter type 1 1 × Protective box with padded insert 1 × Cleaning cloth

Haida Rear Lens Mist Black 1/4 Filter Type 2 The Haida Rear Lens Mist Black 1/4 Filter Type 2 is a high-quality effect filter that attaches directly to the rear lens of compatible lenses. It gives your photos and videos a soft, cinematic glow by softening light sources while slightly reducing contrast. Perfect for portraits, night shots, or creative film looks straight out of the camera. This filter is based on the finest optical technology. Micro-particles incorporated into the filter glass scatter bright light in a targeted manner without noticeably affecting the sharpness of your images. This allows you to create atmospheric, soft highlights and a harmonious overall picture. The Haida Rear Lens Mist Black 1/4 Filter Type 2 has been specially developed for cameras with rear lens filter systems and offers: Natural soft focus without significant loss of detail Minimal reflections thanks to multi-coated surface Compact, robust design ideal for photography and videography Special features and advantages Cinematic look directly in the camera – less post-processing required Soft glow effect with bright light sources, perfect look for film and portraits Reduced contrast, but high detail retention in shadow areas High-quality workmanship for clear, high-quality results Ideal for run-and-gun filmmakers who want to work quickly and flexibly Compatibility This filter is compatible with lenses that support the Haida Type 2 rear lens filter system. Ideal for mirrorless cameras with large image sensors and interchangeable lenses. Technical Details Filter type: Rear lens diffusion filter Black Mist 1/4 Series: Type 2 Material: High-quality optical glass Coating: Multi-layer coating, dirt, oil, and water repellent Strength: 1/4 – subtle diffusion for professional film looks Very light, compact, and ideal for mobile work Scope of delivery Haida rear lens Mist Black 1/4 filter type 2 Protective box or storage case

Haida NanoPro Filter Set DJI Mini 4 Pro The Haida NanoPro Filter Set DJI Mini 4 Pro is the perfect choice if you want to take your drone photography to the next level. With high-quality ND and CPL filters, you can achieve professional image quality, reduce overexposure, and get the most out of your aerial shots. The filters from Haida's NanoPro series feature high-quality multi-layer coating that reduces reflections, stray light, and color shifts. They are specially designed for the DJI Mini 4 Pro and, thanks to their lightweight and robust frame, are easy to install without affecting the flight performance of your drone. The filters allow for longer exposure times, natural colors, and razor-sharp results—ideal for video recording in strong sunlight or for creative long exposures. Special features and advantages Nano coating: Scratch-resistant, water- and stain-repellent for maximum durability. Lightweight design: Minimal additional weight, perfectly optimized for the Mini 4 Pro. Versatile applications: Ideal for landscape, architecture, and videography. Professional image control: ND filters reduce light, CPL filters minimize reflections. Compared to standard filters, Haida NanoPro filters offer improved color neutrality and significantly higher robustness. Compatibility DJI Mini 4 Pro drone Technical Details Filter Type: ND & CPL Coating: Multi-layer NanoPro coating Weight: approx. 1 g per filter Material: High-quality optical glass with aluminum frame Easy clip-on mounting Scope of delivery Haida NanoPro ND filters (various strengths ND8, ND16, ND32, ND64, and ND256) Haida NanoPro CPL filter Protective case for safe storage

Haida Rücklinsen holder to Sony 14 mm f 1.8 GM This rear filter adapter ring for the Sony 14 mm f/1.8 GM lens from Haida allows selected Haida filters to be attached behind the rear element of a lens that does not have a conventional filter thread on the front. Simply remove the existing rear ring from the lens with the included mini-screwdriver, then install this precision-engineered aluminum adapter ring in its place. Then, the appropriate filters suitable for the adapter ring can be easily inserted as needed and removed when ready. Once the adapter ring is installed, there is no reason to remove it. It can stay in place indefinitely without affecting the function or performance of the lens.Lens Compatibility Sony 14mm f/1.8 GM Lens (SEL-14F18GM)Haida item number: HD4763Scope of delivery: 1 x Haida Rücklinsen holder to Sony 14 mm f 1.8 GM

Haida Video ND 1.8 Filter 4 x 5.65 V-ProThe 4 x 5.65" Video 1.8 filter from Hadia helps you control light. It reduces the exposure by 6 stops. This filter is designed for use with high-resolution video capture with CMOS and CCD sensors. The filter is made of optical glass for consistent clarity and is 4 x 5.65" (101.6 x 143.5 mm), so it fits well with lightweight or clip-on matte boxes.For technicians:Filter type: diffusionFilter Factor 1.8-Stop)Filter size: 4 "x5.65"Filter thickness: 4 mmFilter material: GlassHaida number: HD4742Scope of delivery:1 x Haida Video ND 1.8 Filter 4 x 5.65 V-Pro1 x Transport box with foam inlay

Haida 4 x 5.65 V-Pro Series MC IRND 0.9 Glass FilterThe 4 x 5.65" Video 0.9 filter from Hadia helps you control light. It reduces the exposure by 3 stops. This filter is designed for use with high-resolution video capture with CMOS and CCD sensors. The filter is made of optical glass for consistent clarity and is 4 x 5.65" (101.6 x 143.5 mm), so it fits well with lightweight or clip-on matte boxes.For technicians:Filter type: diffusionFilter Factor 0.9-Stop)Filter size: 4 "x5.65"Filter thickness: 4 mmFilter material: GlassHaida number: HD4739Scope of delivery:1 x Haida Video ND 0.9 Filter 4 x 5.65 V-Pro1 x Transport box with foam inlay

Haida Rear Lens Filter Set for Sony FE 14mm f/1.8 GM The Haida Rear Lens Filter Set for Sony FE 14mm f/1.8 GM was developed specifically for demanding landscape and architectural photographers. It allows you to use high-quality filters directly on the rear lens of the lens, expanding your creative possibilities for long-exposure, nature, and wide-angle photography. This filter set is perfectly matched to the Sony FE 14mm f/1.8 GM, a lens that cannot be used with conventional front filters due to its design. The filters are mounted precisely on the rear lens and do not negatively affect image quality. High-quality optical glass ensures maximum sharpness, neutral color reproduction, and minimal reflections. The precise workmanship guarantees a secure fit and easy handling in everyday photography. Special features and advantages Specially developed rear lens solution for ultra-wide angles No vignetting despite extreme image angles Ideal for long exposures and creative effects Compact, lightweight, and ideal for outdoor photography High scratch resistance and durable coating Compared to universal filter systems, this set offers a perfectly integrated solution without additional holders or large filter adapters. Suitable for the following lens: Sony FE 14 mm f/1.8 GM lens (SEL14F18GM) Technical details Filter type: Rear lens filter Material: High-quality optical glass Coating: Multi-coated Mounting: Rear lens Weight: approx. 20 g (set) Scope of delivery: 1 x ND 0.9 filter1 x ND 1.2 filter1 x ND 1.8 filter1 x ND 3.0 filter1 x adapter suitable for Sony FE 14 mm f. 1.8 GM lens

Haida Rücklinsen holder to Sony  FE 12-24mm F28 GM This rear filter adapter ring for Haida's Sony FE 12-24mm f/2.8 GM lens allows you to install select Haida filters behind the rear element of a lens that does not have a conventional filter thread on the front. Simply remove the existing rear ring from the lens with the included mini-screwdriver, then install this precision-engineered aluminum adapter ring in its place. Then, the appropriate filters suitable for the adapter ring can be easily inserted as needed and removed when ready. Once this adapter ring is installed, there is no reason to remove it. It can stay in place indefinitely without affecting the function or performance of the lens. This adapter ring for Rücklinsenfilter, is suitable für the following lenses:         Sony  FE 12-24mm F2.8 GM Sony 14mm f/1.8 GM LensHaida item number: HD4642Scope of delivery: 1 x Adapter ring

Rear lens filter suitable for the  Nikon Nikkor Z 14-24 mm f/2.8 S A rear lens filter is a gray filter (ND filter) that is inserted directly into the bayonet of the lens. This has two advantages, firstly, gray filters are relatively small and do not require much space, and secondly, such gray filters are much cheaper than a plug-in filter system, which is mounted in front of the lens. Ultra-wide-angle lenses with a pom-pom front lens or a permanently mounted sun visor then require filters with a width of 150 mm, and such plug-in filter systems are expensive and bulky to transport. Rear lens filters are therefore a good choice for long exposures in landscape or architectural photography. The ND 0.9, ND 1.2, ND 1.8 and ND 3.0 filters included in the set reduce exposure by 3, 4, 6 and 10 stops, respectively. The filters are made of optical glass, which provides clarity and color fidelity. To prevent internal ghosting and reflections, each glass surface is coated with 10 layers of anti-reflective coating that better protects the filter substrate and helps it stay clean for a longer period of time. The nano-coating of these neutral density filters provides an additional layer that creates an improved beading effect when their surfaces come into contact with water or oil, allowing for more efficient cleaning. A plastic case is included for storage and transportation.This set is suitable for the following lens: Nikon Nikkor Z 14-24 mm f/2.8 S  LensScope of delivery 1 x Rear lens filter filter ND 0.9 1 x rear lens filter ND 1.2 filter 1 x rear lens filter ND 1.8 filter 1 x rear lens filter ND 3.0 filter 1 x adapter suitable for Nikkor Z 14-24 mm f/2.8 S

Haida Rear Lens Filter Clear Night Type II without holder Remove annoying light pollution from night shots – the Haida Rear Lens Filter Clear Night Type II ensures clearer, more detailed images and is the ideal companion for demanding night and astrophotography. Without holder – for maximum flexibility when used with Haida M rear lens adapters. The Haida Clear Night Type II Rear Lens Filter has been specially developed to effectively reduce light pollution, especially from artificial light sources such as street lights or industrial lighting. It specifically filters out the yellowish-orange wavelengths of light (typically sodium vapor lamps), resulting in a more natural night sky and better contrast. This rear lens filter attaches directly to the camera's bayonet mount (in combination with a suitable Haida adapter), providing an elegant solution without adding bulk to the front of the lens – perfect for wide-angle lenses. Special features and advantages Optimized for night photography: Less light pollution, more stars and details visible. Type II: Suitable for lenses with this bayonet mount design. Lightweight, compact, and robust: Ideal for travel and outdoor shooting. Easy to install: Rear lens mounting saves space and weight. No vignetting: No dark corners, even with ultra-wide-angle lenses. Compatibility Canon EF 17-35 mm f/2.8L USM Canon EF 17-40 mm f/4L USM Canon EF 11-24 mm F4L USM Canon EF 16-35 mm f/2.8L USM (not f/2.8L II) Canon EF 15 mm f/2.8 Fisheye Canon EF 14 mm f/2.8L USM or USM II Canon EF 8-15 mm f/4L Fisheye Tamron SP 15-30 mm F2.8 Di VC USD lens for Canon EF Tamron SP 15-30 mm F2.8 Di VC USD G2 lens for Canon EF Sigma 14-24 mm f/2.8 DG HSM Art lens for Canon EF Sigma 12-24 mm f/4.0 DG HSM Art lens for Canon EF Sigma 14 mm f/1.8 DG HSM Art lens for Canon EF Samyang AF 14 mm F2.8 RF lens for Canon RF Technical details Material: Optical glass with nano coating Diameter: Rear lens compatible (depending on adapter) Type: Clear Night Type II Coating: Multi-coated, water- and oil-repellent Weight: approx. 5 g Mounting: Rear lens position, without holder Haida number: HD4648 Scope of delivery Haida Clear Night rear lens filter Type II (without holder)

Haida Rear Lens Filter Clear Night Type I without holder Remove annoying light pollution from night shots – the Haida Rear Lens Filter Clear Night Type I ensures clearer, more detailed images and is the ideal companion for demanding night and astrophotography. Without holder – for maximum flexibility when used with Haida M rear lens adapters. The Haida Clear Night Type I rear lens filter has been specially developed to effectively reduce light pollution, especially from artificial light sources such as street lights or industrial lighting. It specifically filters out the yellowish-orange wavelengths of light (typically sodium vapor lamps), resulting in a more natural night sky and better contrasts. This rear lens filter attaches directly to the camera's bayonet mount (in combination with a suitable Haida adapter), providing an elegant solution without adding bulk to the front of the lens – perfect for wide-angle lenses. Special features and advantages Optimized for night photography: Less light pollution, more stars and details visible. Type I: Suitable for lenses with this bayonet mount design. Lightweight, compact, and robust: Ideal for travel and outdoor shooting. Easy to install: Rear lens mounting saves space and weight. No vignetting: No dark corners, even with ultra-wide-angle lenses. Compatibility Sigma 14-24mm F/2.8 DG DN Art lens for Sony E and Leica L Sony FE 12-24mm F4 G Sony FE 12-24mm F2.8 GM Nikon Z 14-24mm F2.8 S Sony 14mm f/1.8 GM Sigma 14mm f/1.4 DG DN Art Leica L Sigma 14mm f/1.4 DG DN Art Sony E Leica Super-Vario-Elmarit-SL 14-24 f/2.8 ASPH Technical details Material: Optical glass with nano coating Diameter: Rear lens compatible (depending on adapter) Type: Clear Night Type I Coating: Multi-coated, water- and oil-repellent Weight: approx. 5 g Mounting: Rear lens position, without holder Haida number: HD4647 Scope of delivery Haida Clear Night rear lens filter Type I (without holder)

Haida rear filter adapter ring for selected Sigma Art lenses für Canon EF This rear filter adapter ring for selected Sigma Art lenses for Canon EF from Haida makes it possible to install selected Haida filters behind the rear element of a lens that does not have a conventional filter thread on the front. Simply remove the existing rear ring from the lens with the included mini-screwdriver, then install this precision-engineered aluminum adapter ring in its place. Then, the appropriate filters suitable for the adapter ring can be easily inserted as needed and removed when ready. Once this adapter ring is installed, there is no reason to remove it. It can stay in place indefinitely without affecting the function or performance of the lens.This adapter ring for Rücklinsenfilter, is suitable for the following lens:            Sigma 14mm F1.8 DG HSM Art Lens with Canon EF Mount Sigma 12-24mm F4.0 DG HSM Art lens with Canon EF mount Sigma 14-24mm F2.8 DG HSM Art lens with Canon EF mount Haida item number : HD4644Scope of delivery: 1 x adapter ring

Haida Rear Filter Adapter Ring to Sony FE 12-24mm F4 G Lens This filter adapter ring for the Sony FE 12-24mm 1:4 G lens allows selected Haida filters to be mounted behind the rear element of a lens that does not have a conventional filter thread on the front. Simply remove the lens' existing rear lens ring with the included mini-screwdriver and install this precision-engineered aluminum adapter ring in its place. The appropriate filters that fit on the adapter ring can then be easily inserted as needed and removed after use. Once the adapter ring is installed, there is no reason to remove it. It can remain in place indefinitely without affecting the function or performance of the lens.Haida adapter ring for Rücklinsenfilter, suitable for the following lens:            Sony FE 12-24mm F4 GHaida item number: HD4598Scope of delivery: 1 x Adapter ring fit Sony FE 12-24mm F4 G lens.

Haida Rücklinsenfilter adapter ring to Tamron SP 15-30 F2.8 This filter adapter ring for selected Tamron Haida lenses allows selected Haida filters to be mounted behind the rear element of a lens that does not have a conventional filter thread on the front. Simply remove the existing rear lens ring from the lens with the included mini-screwdriver and install this precision-engineered aluminum adapter ring in its place. The appropriate filters that fit on the adapter ring can then be easily inserted as needed and removed after use. Once the adapter ring is installed, there is no reason to remove it. It can remain in place indefinitely without affecting the function or performance of the lens.Suitable for the following lens:Tamron SP 15-30mm f/2.8 Di VC USD Lens with Canon EF Mount   Tamron SP 15-30mm f/2.8 Di VC USD G2 Lens Haida item number: HD4596Scope of delivery: 1 x adapter ring

Rear lens filter suitable for Sony FE 12-24 mm F4.0 G A rear lens filter is a gray filter (ND filter) that is inserted directly into the bayonet of the lens. This has two advantages, firstly, gray filters are relatively small and do not require much space, and secondly, such gray filters are much cheaper than a plug-in filter system, which is mounted in front of the lens. Ultra-wide-angle lenses with a pom-pom front lens or a permanently mounted sun visor then require filters with a width of 150 mm, and such plug-in filter systems are expensive and bulky to transport. Rear lens filters are therefore a good choice for long exposures in landscape or architectural photography. The ND 0.9, ND 1.2, ND 1.8 and ND 3.0 filters included in the set reduce exposure by 3, 4, 6 and 10 stops, respectively. The filters are made of optical glass that provides clarity and color fidelity. To prevent internal ghosting and reflections, each glass surface is coated with 10 layers of anti-reflective coating that better protects the filter substrate and helps it stay clean for a longer period of time. The nano-coating of these neutral density filters provides an additional layer that creates an improved beading effect when their surfaces come into contact with water or oil, allowing for more efficient cleaning. A plastic case is included for storage and transportation.This set is suitable for the following lenses: Sony FE 12-24 mm F4.0 G (SEL1224G) Included in the package is the following:1 x Rear lens filter filter ND 0.9 1 x rear lens filter ND 1.2 filter 1 x rear lens filter ND 1.8 filter 1 x rear lens filter ND 3.0 filter 1 x adapter suitable for Sony FE 12-24 mm F4.0 GTypical question related to this product: Can multiple filters be used at the same time? No, the holder is only designed for use with a single filter.

Rear lens filter suitable for Sigma lenses with Canon EF mount. A rear lens filter is a gray filter (ND filter) that is inserted directly into the bayonet of the lens. This has two advantages, firstly, gray filters are relatively small and do not require much space, and secondly, such gray filters are much cheaper than a plug-in filter system, which is mounted in front of the lens. Ultra-wide-angle lenses with a pom-pom front lens or a permanently mounted sun visor then require filters with a width of 150 mm, and such plug-in filter systems are expensive and bulky to transport. Rear lens filters are therefore a good choice for long exposures in landscape or architectural photography. The ND 0.9, ND 1.2, ND 1.8 and ND 3.0 filters included in the set reduce exposure by 3, 4, 6 and 10 stops, respectively. The filters are made of optical glass, which provides clarity and color fidelity. To prevent internal ghosting and reflections, each glass surface is coated with 10 layers of anti-reflective coating that better protects the filter substrate and helps it stay clean for a longer period of time. The nano-coating of these neutral density filters provides an additional layer that creates an improved beading effect when their surfaces come into contact with water or oil, allowing for more efficient cleaning. A plastic case is included for storage and transportation.This set is suitable for the following lenses: Sigma 14-24 mm F2.8 DG HSM Art lens with Canon EF Sigma 12-24 mm F4.0 DG HSM Art lens with Canon EF Sigma 14 mm F1.8 DG HSM Art lens with Canon EFScope of delivery 1 x Rear lens filter filter ND 0.9 1 x Rear lens filter ND 1.2 filter 1 x rear lens filter ND 1.8 filter 1 x rear lens filter ND 3.0 filter 1 x Adapter to the lenses listed above.

Rear lens filter to the Tamron SP 15-30mm f/2.8 Di VC USD lensA rear lens filter is a gray filter (ND filter) that is inserted directly into the bayonet of the lens. This has two advantages, firstly, gray filters are relatively small and do not require much space, and secondly, such gray filters are much cheaper than a plug-in filter system, which is mounted in front of the lens. Ultra-wide-angle lenses with a pom-pom front lens or a permanently mounted sun visor then require filters with a width of 150 mm, and such plug-in filter systems are expensive and bulky to transport. Rear lens filters are therefore a good choice for long exposures in landscape or architectural photography. The ND 0.9, ND 1.2, ND 1.8 and ND 3.0 filters included in the set reduce exposure by 3, 4, 6 and 10 stops, respectively. The filters are made of optical glass, which provides clarity and color fidelity. To prevent internal ghosting and reflections, each glass surface is coated with 10 layers of anti-reflective coating that better protects the filter substrate and helps it stay clean for a longer period of time. The nano-coating of these neutral density filters provides an additional layer that creates an improved beading effect when their surfaces come into contact with water or oil, allowing for more efficient cleaning. A plastic case is included for storage and transportation.This set is suitable for the following lenses: Tamron SP 15-30mm f/2.8 Di VC USD Lens with Canon EF Mount   Tamron SP 15-30mm f/2.8 Di VC USD G2 lens Scope of delivery1 x Rear lens filter filter ND 0.9 1 x rear lens filter ND 1.2 filter 1 x rear lens filter ND 1.8 filter 1 x rear lens filter ND 3.0 filter 1 x adapter to the Tamron SP 15-30mm f/2.8 Di VC USD lensTypical question related to this product: Can multiple filters be used at the same time? No, the holder is only designed for use with a single filter.